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Ad hoc recording techniques

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Ad hoc recording techniques

Postby Oliver on Tue Jun 01, 2010 12:49 am

Just been reading some audiotut articles, this one especially had some interesting ideas in regards to recording,

http://audio.tutsplus.com/tutorials/rec ... ound-ever/

Really wanna try out those cans on the snare. Also, just bought some piezo transducers off of trademe and i'm gonna make some makeshift contact mics to stick all over the place and see what I can turn into a drum kit...

Anyway, anyone have any fancy trade secret recording techniques to make our [oh! my dirty mouth] instruments sound awesome? (Other than learning to play them properly...)
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Postby te_chris on Tue Jun 01, 2010 12:53 am

paul cathro just made an album that sounds [forking] sick and was all recorded with the inbuilt mic on a macbook
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Postby dickface on Tue Jun 01, 2010 1:26 am

9. The Phil Spector Snare
The old tambourine and snare in unison on every two and four beat was a staple of some huge tunes years ago and it still works now. You can save a pair of hands by just using gaffer tape to stick a tambourine to the outer shell of the snare at a right angle on the side that faces the hi-hat. The snare mic should pick it up quite well, but you can add a dedicated mic if needed.

I recorded a song a while ago with the "Just Like Honey" beat (well aware it's in about a million songs prior, but figure this one's relatable) by hitting a cushion with a drumstick and pitch shifting down, and using a super reverby + high end heavy recording of a spray can being shaken. On garageband via macbook mic. it sounded ridiculously faithful for how quick+easy it was. Also on the spray can tip, [forking] love the can-as-hihat in "She's Lost Control". amzng.
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Postby dickface on Tue Jun 01, 2010 1:27 am

oh and regarding entire albums recorded on macbook inbuilt mics, i give you sethfrightening.bandcamp.com
seriously. the scope and quality of this is p amazing considering how it was recorded. and, like, the songs are amazing too.
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Postby skindathu on Tue Jun 01, 2010 5:20 am

those seth frightening songs are really cool.

I'm thinking about how i can record some kick/snare sounding stuff, i'd boot the door but i want my deposit back.
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Postby stormo on Tue Jun 01, 2010 9:28 am

i'd boot the door


The kickdrum sound in 'Theme from S'Express' was made by the producer dropping a metal crate on the ground and kicking it... hence 'kick drum'. You can also do some awesome stuff with an old school biscuit tin with cutlery in it.

hitting a cushion with a drumstick and pitch shifting down


Yeah, did something similar, with a book and a condenser mic jammed right up against it. Telephone books and hard backed encyclopedias are best. Made a whole album where the rhythm tracks were made up of hitting a guitar case with an acoustic on top of it, cutting it up in ReCycle and looping it.

Also, I really like rulers played with a bow and the mic holding it in place on a desk... Actually, if you lean the mic against the desk and drop [shirt] on it and then sample the sound, you get pretty good single percussion hits...

Basically, anything where the mic's in actually physical contact is good (thus contact mics, I know) - you just gotta be reasonably careful with what you're doing not to munt the mic. I've got no time for [oh! my dirty mouth] mics - not very free noise, I know - bought a $500 one about ten years ago and it's still awesome. You get much more flexibility out of having sound with a wide dynamic range that you can then [fork] about with rather than something with a weak dynamic range which provides you with much more limited opportunity to do stuff with.

That said some friends of mine did an awesome recording of some studio jams with the input mic on their micro korg.
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Postby Straighty on Tue Jun 01, 2010 11:35 am

I once used an empty beer box for a kick drum sound. I left a hole in the top about the size of a fist and pointed a NT1 ([oh! my dirty mouth] and cheap large diaphram mic) at the hole. Hitting it with a drum stick wrapped in a tea towel gave a reasonably acurate kick sim.

I also hit a half empty money tin with some kindling for a hi hat sound.

Snare sounds were much too tricky to emulate so I used a snare.
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Postby te_chris on Tue Jun 01, 2010 5:07 pm

stormo wrote:
i'd boot the door


The kickdrum sound in 'Theme from S'Express' was made by the producer dropping a metal crate on the ground and kicking it... hence 'kick drum'. You can also do some awesome stuff with an old school biscuit tin with cutlery in it.

hitting a cushion with a drumstick and pitch shifting down


Yeah, did something similar, with a book and a condenser mic jammed right up against it. Telephone books and hard backed encyclopedias are best. Made a whole album where the rhythm tracks were made up of hitting a guitar case with an acoustic on top of it, cutting it up in ReCycle and looping it.

Also, I really like rulers played with a bow and the mic holding it in place on a desk... Actually, if you lean the mic against the desk and drop [shirt] on it and then sample the sound, you get pretty good single percussion hits...

Basically, anything where the mic's in actually physical contact is good (thus contact mics, I know) - you just gotta be reasonably careful with what you're doing not to munt the mic. I've got no time for [oh! my dirty mouth] mics - not very free noise, I know - bought a $500 one about ten years ago and it's still awesome. You get much more flexibility out of having sound with a wide dynamic range that you can then [fork] about with rather than something with a weak dynamic range which provides you with much more limited opportunity to do stuff with.

That said some friends of mine did an awesome recording of some studio jams with the input mic on their micro korg.


recycle + microphone + stupid voice noises }+ableton live + 10 minutes = A in composition 231 a couple of years back. Actually was pretty cool music as well. I love slicing and triggering portions of loops.
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Postby stormo on Tue Jun 01, 2010 5:51 pm

nice work.
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Postby P-Lab Fab on Tue Jun 01, 2010 11:09 pm

A speaker stuck to a broken heater with a contact mic at the other end makes for a nifty lo-fi plate reverb.
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